28 December 11
Imagine a vast field on which a terrible battle has recently been
fought, the bare ground cratered by fusillade after fusillade of heavy
artillery, trees reduced to blackened stumps, wisps of toxic gas
hanging in the gray, and corpses everywhere.
A terrible scene, made worse by the sound of distant
laughter, because somehow, on the heights commanding the dead zone,
the officers' club has made it through intact. From its balconies
flutter bunting, and across the blasted landscape there comes a
chorus of hearty male voices in counterpoint to the wheedling of
cadres of wheel-greasers, the click of betting chips, the orotund
declamations of a visiting congressional delegation: in sum, the
celebratory hullabaloo of a class of people that has sent entire
nations off to perish but whose only concern right now is whether the
'11 is ready to drink and who'll see to tipping the servants. The
notion that there might be someone or some force out there getting
ready to slouch toward the buttonwood tree to exact retribution
scarcely ruffles the celebrants' joy.
Ah, Wall Street. As it was in the beginning, is now, and hopes to God it ever will be, world without end. Amen.
Or so it seems to me. It was in May 1961 that a series
of circumstances took me from the hushed precincts of the
Metropolitan Museum of Art, where I was working as a curatorial
assistant in the European Paintings Department, to Lehman Brothers,
to begin what for the next 30 years would be an involvement - I
hesitate to call it "a career" - in investment banking. I would
promote and execute deals, sit on boards, kiss ass, and lie through my
teeth: the whole megillah. In consequence of which, I would wear
Savile Row and carry a Hermès briefcase. I had Mme. Claude's home
number in Paris and I frequented the best clubs in a half-dozen
cities. But I had a problem: I was unable to develop the
anticommunitarian moral opacity that is the key to real success on
Wall Street.
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